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Ambrogio Pozzi Portaombrelli

Published on: By James White

“Simplifying is difficult; complicating things is very easy”, said Bruno Munari, in a text about his colleague..Ambrogio Pozzi. He goes on to say Pozzi’s dedication to the development of form for use, was not influenced by current fashion and style. Pozzi was always driven by the material first and use second.

Ambrogio Pozzi worked for his father’s firm Ceramica Franco Pozzi, and for many many other businesses in the world wide manufacturing of design objects. He worked for Rosenthal of Selb for twenty years, Reidel of Austria, the Rinascente department store, Alitalia Airlines, Harvey-Guzzini, Padova Argenti (silver), Zojirushi of Osaka, Japan, Toray of Tokyo and many more.
Ambrogio Pozzi was an important Italian 20th century industrial designer. He worked in ceramic, glass, plastic, and metals. He collaborated with prominent designers of his time including, Gio Ponti, Pierre Cardin and Joe Columbo. He was good friends with the important Finnish designer Tapio Wirkkala.

In 2000 he won the second annual prize of the Museum MIDeC Museo Internazionale Design Ceramico at Cerro di Laveno Mombello, Italy and a catolog accompanying a showing of his output was published. The catolog contains essays by the president of the museum, Marcello Morandini and Ettore Sottsass both paying tribute to Ambrogio Pozzi’s fifty year body of work.

Ambrogio Pozzi was born in Varese, Italy in 1931. He went to a scientific high school and while starting his studies at university he spent a year at the Institute of Ceramics at Faenza, where he made connections with the most important artists of the sector. After graduatiion he turned his attention back to ceramics and returned to Faenza frequently for free courses to deepen his knowledge relative to the techniques in stoneware and glazes. Frrom 1950 he began working for his father’s company, Le Ceramica Franco Pozzi of Gallarate, Italy which is in the Lombardy region, province of Varese. He designed many objects for the company, not only in ceramics but also glass and wood. During this period he began to participate in ceramics competiitions with unique pieces as well as sets of pieces for which he won numerous prizes and recognition. This allowed him to travel abroad, visiting Denmark, Switzerland, England, France, Germany establishing relationships with artists and designers from these countries. He participated in many national and international shows by invitation in the USA, Central America, Brasil, Canada and eastern countries. His works appear in various museums in Italy and around the world.”

Luigi Caccia Dominioni Side Tables

Published on: By James White

Pair of Cassacia Tables by Luigi Caccia Dominioni for Azucena

Seguso Ceiling Lantern

Published on: By James White

Elegant Late ’30’s Italian glass lantern attributed to Seguso. The lantern is either Seguso or Venini but likely Seguso. Exact documentation is currrently unavailable but there is a very similar lantern found in the Venini cataloges. The heavy glass is made by the blown in mold glass process and is held in a frame of bronze. Wonderfully patinated.

drop 28″
glass H 17″
diameter top 13″
diameter bottom 10″

Ceiling Fixture by Lisa Johansson-Pape

Published on: By James White

This charming hanging fixture by Lisa Johansson-Pape from the 1940’s is in exellent original condition except for it’s wiring which is newly done.

Table Lamp by Angelo Lelii

Published on: By James White

A Icon of Modern Design this lamp by Angelo Lelii isModel #12297 Scrittoio c. 1950 Cat. 22 This model is in original patina

“Base and structure in brass, rotating and adjustable, counterweight arm, adjustable reflector in lacquered aluminum. Deriving from the lamp designed by Cesare Lacca, this lamp preswents a sophisticated fastening systemfor the arm in any position, thanks to a self-blocking joint controlled by the rotation of its counterweight.”

The above text is from the catalogue Raisone Arredoluce page 281

Table Lamp by Napoleone Martinuzzi

Published on: By James White

This lamp, a rare design by Napoleone Martinuzzi for Venini ,was created circa 1930. Formed of blue cased glass with blue paste glass finishing and gold leaf application, it is shown on page 114 of the exhibition catalog Napoleone Martinuzzi Venini 1925-1931 produced by Skira. The catalogue was created for the exhibit, Napoleone Martinuzzi Venini 1925-1931 held in 2013 at the Fundazione Giorgio Cini, Island of San Giorgio Maggiore, Venice Italy

Un Salotto Milanese

Published on: By James White

Late 1950’s to 1960’s Milanese Style Salotto..Suite of furniture, consisting of two lounge chairs each with a foot stool and a matching sofa. There is a small oval marble topped table included in this suite of furniture. These pieces are completely rebuilt and reupholstered in Rigoletto Cotton Velvet by Kerry Joyce Textiles. The color is Sangria.
Sofa measures 60″L x 20″D x 30″ seat height is 17″
Chairs Measure 28.5″L x19″D x30.5″H seat height is 17″
Ottomons 14″ x 18″ x 12″ H

Two Pairs of Nanna Ditzel Arm Chairs

Published on: By James White

Model #113 Arm Chairs by Nanna and Jorgen Ditzel for Kolds Savvaerk. 2 pair available.

Five Lisa Johansson-Pape Ceiling Lights

Published on: By James White

Perforated brass plated aluminum shades with white enamel interiors. Warm patina minor scuffing. Each retaining original Orno stickers. These were virtually never used.

American Handmade Carpet

Published on: By James White

American handmade hooked carpet by Stephen T. Anderson.

Stoneware Vase by Carl-Harry Stalhane for Rorstrand

Published on: By James White

Early vase designed by  Carl-Harry Stalhane for Rorstrand, Sweden C. 1950. Glazed Stoneware.

Price on Request

Aluminum Glass and Brass Console by John Vesey Inc.

Published on: By James White

Directoire Inspired glass console by John Vesey Inc. Frame in very fine vintage condition. This design was produced circa 1958. I have seen copies of this design in the market. This is an original Vesey made piece.