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Paul McCobb Freestanding Wall Unit

Published on: By James White

A Walnut Free Standing Wall Unit by Paul McCobb for Connoiseur Collection by H. Sacks, Brookline, Mass. consisting of ten drawers and two cabinets. Constructed as modular furniture. Two base cabinets. with a freestanding five shelf unit on top. Original warm patina, excellent untouched condition. Unit can be used with or without the shelves. Direct from a Park Avenue Estate.

Il Mobile Italiano Degli Anni ’40 e ’50

Published on: By Gail Garlick

Hardcover with dust jacket by Irene de Guttry & Maria Paola Maino. Published by Editori Laterza. An iconic text, showing period images of works by the most important designers in Italy in the 1940s and 1950s. Works by the following architects are included in this essential text, for those researching 20th century Italian design: Franco Albini, Anzani & Co, Arflex, Azucena, BBPR, Melchiorre Bega, Vittorio Bonacina, Borsani, Paolo Buffa, Michele e Andrea Busiri Vici, Campo & Graffi, Cassina, Castelli, Cavatorta, Colli, Raffaela Crespi, Dassi, Carlo de Carli, Elam, Piero Fornasetti, Gabetti & Isola, Iganzio Gardella, Eugenio Gerli, Vittorio Gregotti, Attilio Lapadula, Gino Levi Montalcini, Vico Magistretti, Angelo Mangiarotti, Roberto Mango, Roberto Menghi, Carlo Mollino, Ico & Luisa Parisi, Poggi, Gio Ponti, Quarti, Carlo Ratti, Rima, Mario Federico Roggero, Luigi Scremin, Ettore Sottsas, Guglielmo Ulrich, Vittoriano Vigano, and Marco Zanuso. First edition, 1992. Near fine (FN). Small tear in dust jacket, some rubbing. There is a stamp inside the first interior page which says this book is not subject to the VAT tax. ISBN 88-420-4088-6.

$450 USD

Three Vases by Sergio Asti for Salviati and C.

Published on: By James White

Three blown glass vases including two sizes of the Marco Vase winner of the Compasso D’Oro award.

Large Marco Vase paglio (straw) color 9.25″ H x 9.25″ D

Small Marco Vase paglio vetro incamiciato (straw exterior with white interior). size 5.5″ H x 7″ D

Tall Vase with ruggled top, vetro incalmo clear and paglio 9.50″ H x 6.25″

I mobili di Paolo Buffa a cura di Roberto Rizzi

Published on: By Gail Garlick

Fine (F) edition of I mobili di Paolo Buffa a cura di Roberto Rizzi. Catalogue from the show at The Gallery of Design and Furnishings at Cantù, Italy in 2001. 68 pp. Published by Centro Legno Arredo Cantù (2001). Italian. Paperback. $175 USD.

Iittala Art Object/Vase by Tapio Wirkkala

Published on: By Gail Garlick

The Finnish company, Iittala produced this Art Object/Vase by Tapio Wirkkala for only two years, 1970-1972. Weighing over 14 pounds, it is made by centrifugally forcing glass into a carved wooden mold. These molds were often finished by Wikkala himself. From early spring through summer the Wikkala family would move to their handmade log cabin in Lapland. There Tapio, Rut Bryk and their children explored the natural world around them creating artworks of enduring appeal. Melting ice was a recurring theme for Tapio Wirkkala, and is beautifully depicted in this rare object. Signed Tapio Wirkkala 3441.

Dino Martens by Marc Heiremans

Published on: By Gail Garlick

Very Good (VG) edition (no dustjacket) of Dino Martens by Marc Heiremans. This is the definitive catalogue of Dino Martens’ work in glass. Published by Arnoldsche Art Publishers (1999). English, Italian, and German. Hardcover. $190 USD.

Max Ingrand Fontana Arte Wall Light

Published on: By Gail Garlick

Rare Fontana Arte wall light designed by Max Ingrand in the 1950s, featuring a chiseled blue-green glass centerpiece framed by two molded frosted glass shades. Nickel plated brass hardware is fitted with four candelabra sockets. This is a single not a pair.

Art Glass from Murano (Glas-Kunst aus Murano) 1910-1970 by Marc Heiremans

Published on: By Gail Garlick

This Near Fine (FN) edition of Art Glass from Murano (Glas-Kunst aus Murano) 1910-1970, is a classic text covering Murano glass between 1910 and 1970 by glass expert Marc Heiremans. In this book Heiremans has chosen 290 masterpieces from the archives at Murano, as well as museum and private collections. Published by Arnoldsche Art Publishers (1993). English, hardcover, 376 pp. with 425 illustrations.

$100 USD.

Jacques Blin Vide-Poche

Published on: By Gail Garlick

Glazed majolica vide-poche with incised decoration and abstract design. There is a small hole by which this can be hung on the wall as decoration.

Ceramist Jacques Blin, was born in, Pierrefonds France in 1920. His university degree was in the aeronautics and automotive field. Initially he taught industrial drawing and worked as an engineer. But by 1949 he abandoned his aeronautics and began to make jewelry and lamps from his home.

He explored ceramics and learned in studios in Paris, Auxon and Indre-et-Loire, evolving into a prominent maker of ceramics.

In 1953 he began exhibiting at Salon des Ateliers d’Art and in 1955 he met the artist Jean Rustin, whose influence helped him refine a distinctive style which is characterized by incised pictographs showing figures and plants. His glazes are cloudy and have rocky effects from his application of Metallic.

In the 1960s he exhibited his work at the Salon des artists Décorateurs and Salon des Tuileries and the Prague Exposition Internationale de la Céramique Contemporaine, where he won the gold medal in 1962. In 1966 he won the silver medal at the Société des Artistes Français. He chaired the Chamber of Ceramists and Art Workshops of France from 1971 to 1991. Jacques Blin died in 1995.

S.A.L.I.R. Studio Ars et Labor Industrie Riunite

Published on: By Gail Garlick

As new (mint condition in shrink-wrap) edition of S.A.L.I.R. Studio Ars et Labor Industrie Riunite by Marc Heiremans, Contemporary Glass-Decorating on Murano 1923-1993. Published by Arnoldsche Art Publishers (January 25, 2024), hardcover, 272 pp.

$125 USD.

Ceramic Bowl by Jacques Pouchain

Published on: By Gail Garlick

Ceramic bowl with incised pattern of playful fish swimming, by Jacques Pouchain/ L’Atelier Dieulefit. Aqua glaze with gray details.

Jacques Pouchain (1927-2015) trained as an architect in Paris before turning to painting in 1951 and later settling in Dieulefit, in the Drôme. While working at the Coursange faience workshop in nearby Poet-Laval, he developed his ceramic practice, bringing a painter’s eye to the medium and updating its forms and decoration. In 1958, he opened his own studio in Dieulefit, where he first produced functional ceramics with figurative imagery, then moved toward more stylized and abstract designs. Influenced by Nicolas de Staël, his painting gradually shifted toward abstraction, while his ceramics explored themes of femininity and fertility, resulting in work that feels both joyful and shaped by an architectural sensibility.

Bertil Vallien: 9 Rooms

Published on: By Gail Garlick

Bertil Vallien: 9 Rooms, from the 13th International architecture Exhibition La Biennale di Venezia. Hardcover, color, 175 pp., with no dust jacket (as issued). This is a First Printing of the 1st Edition, Published in Venice, Italy: Berengo Studio / Marsilio Editori, 2012.

Good (G) condition with a dent, a few interior dents on the first three pages, otherwise pristine interior.

$75 USD.